Walther Gamerith,ahre - 殘障之舞 - 美術印刷品

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帶有標題的藝術作品 Dance of the crippled 作為你自己的藝術複製品

這件藝術品的創作者是 現代瓦爾特·加梅里斯. The version of the work of art has the size 93 x 98 厘米 - 框架:101 x 106 x 6 厘米. 布面油畫 was applied by the painter as the medium of the masterpiece. It is in the the Belvedere's collection, which is one of Europe's most famous museums with three locations that blends the experience of architecture and art in a unique way. With courtesy of: © Belvedere, Vienna, inventory number: 5768 (公共領域許可)。 此外,該藝術品還有以下出處: 瑪格麗特·加梅里斯 (Margarethe Gamerith) 代表,1966 年,維也納。 此外,對齊是 廣場 圖像比例為 1 : 1,這意味著 長度等於寬度. Walther Gamerith was a painter, whose style can mainly be assigned to Modern Art. The painter lived for 46年 and was born in 1903 in Eggenburg, Lower Austria and died in 1949.

可用材料

對於每種產品,我們提供一系列不同的材料和尺寸。 從以下選項中選擇您最喜歡的尺寸和材質:

  • 海報印刷(帆布材質): A poster print is a UV printed sheet of canvas paper with a slightly roughened structure on the surface. Please bear in mind, that depending on the absolute size of the poster we add a white margin of something between 2-6cm around the painting, which facilitates the framing with a custom frame.
  • 在亞克力玻璃上打印(頂部有真正的玻璃塗層): A glossy print on acrylic glass, which is often referred to as a UV print on plexiglass, transforms the artwork into brilliant décor. Your work of art is being printed with the help of modern UV printing technology.
  • 畫布打印: The canvas direct print is a printed canvas mounted on a wood stretcher. Canvas Prints have the advantage of being low in weight, which means that it is easy and straightforward to hang up the Canvas print without the help of any wall-mounts. Canvas prints are suitable for all types of walls.
  • 金屬打印(鋁雙鍵): An Aluminium Dibond print is a print with a true depth. The non-reflective surface structure make a modern look. The Direct Print on Aluminum Dibond is the best introduction to the sophisticated world of art reproductions on aluminum.

免責聲明: We try in order to depict our art products as precisely as possible and to display them visually on the product detail pages. Although, the tone of the print products, as well as the imprint can differ to a certain extent from the image on the device's screen. Depending on your screen settings and the quality of the surface, not all color pigments can be printed one hundret percent realistically. Bearing in mind that all the are processed and printed by hand, there might as well be minor deviations in the exact position and the size of the motif.

物品後台數據

文章分類: 藝術複製
繁殖方法: 數字複製
生產工藝: UV打印/數碼打印
出處: 德國
庫存類型: 按需生產
產品用途: 藝術複製品畫廊、牆面裝飾
方向: 方形格式
圖片縱橫比: 1:1
長寬比含義: 長度等於寬度
可用的材料變體: 亞克力玻璃印刷品(帶真實玻璃塗層)、海報印刷品(帆布紙)、金屬印刷品(鋁雙鍵)、帆布印刷品
擔架架上的帆布(帆布打印)尺寸: 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59", 180x180cm - 71x71"
亞克力玻璃印刷品(帶真正的玻璃塗層)尺寸變化: 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59", 180x180cm - 71x71"
海報打印(帆布紙)尺寸選項: 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39"
Dibond 打印(鋁材料)尺寸變體: 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39"
鏡框: 無框產品

原件藝術品的詳細信息

作品名稱: "Dance of the crippled"
作品分類:
藝術品的原始媒介: 布面油畫
原始尺寸(藝術品): 93 x 98 厘米 - 框架:101 x 106 x 6 厘米
博物館/藏品: 麗城
博物館位置: 奧地利 維也納
網頁: www.belvedere.at
作品授權類型: 公共領域
禮貌: © Belvedere,維也納,庫存編號:5768
藝術品信用額度: 瑪格麗特·加梅里斯 (Margarethe Gamerith) 代表,1966 年,維也納

藝術家概覽表

藝術家姓名: 瓦爾特·加梅里斯
藝術家的職業: 畫家
樣式: 現代藝術
去世年齡: 46年
出生年份: 1903
家鄉: 下奧地利州埃根堡
逝世年份: 1949
死亡城市: 維也納

此文本受版權保護 © - Artprinta.com (Artprinta)

(© 版權所有 - Belvedere - www.belvedere.at)

After studying at the Academy of Fine Arts Vienna traveled Walther Gamerith Italy, Dalmatia, France and Germany. From 1934 he exhibited portraits, nudes and landscapes in the Viennese artist house that elected him in 1939 as a member. The painter devoted himself to photography and drawing, but his main interest was landscape painting, whose motives delivered especially his home Eggenburg and the Attersee region. Dominated by the military service and the war experience, his art changed sustained after the Second World War. There are no longer left condition images, but scenes full of melancholy and accusatory visions. Dance of the cripple emerged in the 1940s and shows a group of gray-haired and wounded figures that move under dark night sky to the rhythm of the drum beat. With distorted faces they follow reluctantly to the call of death represented as a drummer. [Naima Wieltschnig, Michaela Köppl, 4/2017]

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