無名氏，1845 年 - 全景。 新橋、盧浮宮和 Quai de la Megisserie，巴黎第一區。 - 美術印刷品

來自巴黎卡納瓦雷博物館的原始藝術品規格（© - 巴黎卡納瓦雷博物館 - www.carnavalet.paris.fr)

Panorama view inverted relative to reality. The Pont-Neuf, the Louvre and Quai de la Megisserie, 1st arrondissement, Paris. View of the right bank from a building on the island of the City. Pont des Arts, the Carrousel and Pont Royal. Quai du Louvre, Place du Louvre, Shore School, dock Mégisserie, streets of the Arbre Sec, Plaza of the Three Maries, Rue de la Monnaie, Street Time zones, street Cattail Street of Washerwomen, Place the School, bell tower of Saint-Germain l'Auxerrois. Barges, boat wash-houses on the Seine. On deck a hitch. Huts on the Bridge with latrines, reading room and shops. Slightly to the left can be read at the top of a building from the dock of the Tannery, the billboard photographers, the Bisson brothers, "Bisson / DAGUERREOTYPE" at the canopy of portrait photography studio. Beautiful cloudy sky. [View taken from the same point of view François-Xavier Bouchart in 1988, see PH 1826]. See the enlarged reproduction and the correct direction of CARPH045803 view.

The author of this daguerreotype is still unknown. The plate is quite thick, and one wonders if it was bent in a panoramic camera to like those invented by Martens. Napoleon Garella was developing in 1848 a new device to non-flexible plates straightened inversion. Other rooms were built later, inspired by the discoveries of Martens and Garella. The plate daguerreotype is not flexible and is smaller than those of Martens, kept at the National Museum of Technology. The dimensions of this daguerreotype are similar to those described by Peuvion in 1850 (13 x 38.5 cm) but here the picture is not rectified. Moreover, among the eight scenic daguerreotypes known in Paris, he is the only one with a cloudy sky, which was at the time a real performance.

The more than 170 year-old artpiece was made by the painter 匿名. The original measures the size: Height: 10,7 cm, Width: 37,9 cm and was painted with the medium Daguerreotype. The original artwork's inscription is: Hallmark warranty and money as Paris after 1838 - On the front plate, twice the punch: "Lerebours 30", top right and bottom left. Lerebours is the name of the manufacturer optician copper silver plate.。 此外，藝術作品構成了 巴黎卡納瓦萊博物館 art collection, which is located in Paris, France. With courtesy of 巴黎卡納瓦萊博物館 （許可 - 公共領域）.藝術品來源： . 此外，對齊方式是在 景觀 格式 並且圖像比例為 5：2，這意味著 長度是寬度的兩倍半.

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對於每件美術印刷品，我們都提供不同的材料和尺寸。 我們允許您選擇以下變體：

• 海報 （帆布材質）: The poster print is a UV printed flat canvas with a fine surface texture. The poster print is ideally appropriate for placing the art print with the help of a special frame. Please note, that depending on the size of the canvas poster print we add a white margin of approximately 2-6cm around the artwork in order to facilitate the framing with your custom frame.
• 鋁雙鍵打印： An Aluminium Dibond print is a material with an impressive depth. A non-reflective surface creates a contemporary impression. For the Print On Aluminum Dibond, we print your favorite artwork on the aluminium composite surface. The colors are bright and luminous in the highest definition, details of the print appear crisp and clear, and the print has a a matte appearance you can literally feel.
• 光面亞克力玻璃印刷品： The print on acrylic glass, which is often described as a print on plexiglass, will change the original into marvellous home décor. The artwork will be custom-made with the help of modern UV direct printing technology. With a glossy acrylic glass fine art print contrasts and smaller painting details will be more exposed due to the granular tonal gradation in the print. The plexiglass with real glass coating protects your custom fine art print against light and external influences for many years.
• 畫布打印： The canvas direct print is a printed canvas stretched on a wooden frame. Canvas Prints have the advantage of being low in weight, meaning that it is quite simple to hang up your Canvas print without any wall-mounts. Canvas prints are suited for any type of wall.

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法律說明： We try whatever we can to describe the products as closely as possible and to display them visually in our shop. However, the tone of the printing material, as well as the imprint might vary slightly from the presentation on your device's screen. Depending on your screen settings and the condition of the surface, color pigments can unfortunately not be printed as realistically as the digital version. Since our art reproductions are printed and processed manually, there may as well be slight discrepancies in the motif's exact position and the size.

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